This is reposted from a Facebook post
"A man sat at a metro station in Washington DC and started to play
the violin; it was a cold January morning. He played six Bach pieces
for about 45 minutes. During that time, since it was rush hour, it was
calculated that 1,100 people went through the station, most of them on their way to work.
Three minutes went by, and a middle aged man noticed there was musician
playing. He slowed his pace, and stopped for a few seconds, and then
hurried up to meet his schedule.
A minute later, the violinist
received his first dollar tip: a woman threw the money in the till and
without stopping, and continued to walk.
A few minutes later,
someone leaned against the wall to listen to him, but the man looked at
his watch and started to walk again. Clearly he was late for work.
The one who paid the most attention was a 3 year old boy. His mother
tagged him along, hurried, but the kid stopped to look at the violinist.
Finally, the mother pushed hard, and the child continued to walk,
turning his head all the time. This action was repeated by several other
children. All the parents, without exception, forced them to move on.
In the 45 minutes the musician played, only 6 people stopped and stayed
for a while. About 20 gave him money, but continued to walk their
normal pace. He collected $32. When he finished playing and silence took
over, no one noticed it. No one applauded, nor was there any
recognition.
No one knew this, but the violinist was Joshua
Bell, one of the most talented musicians in the world. He had just
played one of the most intricate pieces ever written, on a violin worth
$3.5 million dollars.
Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston where the seats averaged $100.
This is a real story. Joshua Bell playing incognito in the metro
station was organized by the Washington Post as part of a social
experiment about perception, taste, and priorities of people. The
outlines were: in a commonplace environment at an inappropriate hour: Do
we perceive beauty? Do we stop to appreciate it? Do we recognize the
talent in an unexpected context?
One of the possible conclusions from this experience could be:
If we do not have a moment to stop and listen to one of the best
musicians in the world playing the best music ever written, how many
other things are we missing?"
By: Josh Nonnenmoc
Thanks for being there and being you!
Smokemaster
Tuesday, July 23, 2013
When We Lose The Capacity To Appreciate Beauty, We Lose Everything That Matters
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